Gordon Willis
Camera
Born May 28, 1931 in Astoria, New York, USA
From Wikipedia, the free encyclopedia Gordon Hugh Willis, Jr., ASC (May 28, 1931 – May 18, 2014) was an American cinematographer. He is best known for his work on Francis Ford Coppola's The Godfather series as well as Woody Allen's Annie Hall and Manhattan. Fellow cinematographer William Fraker called Willis's work a "milestone in visual storytelling", while one critic suggested that Willis "defined the cinematic look of the 1970s: sophisticated compositions in which bolts of light and black put the decade's moral ambiguities into stark relief".
Filmography
The Godfather, Coda: The Death of Michael Corleone
The Godfather: The Complete Epic 1901–1959
An Amazing Time: A Conversation About End of the Road
Self
Woody Allen: A Documentary
Self
Emulsional Rescue: Revealing 'The Godfather'
Self
Fog City Mavericks
Self
Film Noir: Bringing Darkness to Light
Self
Telling the Truth About Lies: The Making of "All the President's Men"
Self
Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
Self
The Devil's Own
Malice
The Godfather Trilogy: 1901-1980
Visions of Light
Self
The Godfather Part III
Presumed Innocent
Bright Lights, Big City
The Pick-up Artist
The Money Pit
Perfect
The Purple Rose of Cairo
Broadway Danny Rose
The Lost Honor of Kathryn Beck
Zelig
A Midsummer Night's Sex Comedy
Pennies from Heaven
Stardust Memories
Windows
To Woody Allen from Europe with Love
Himself
Manhattan
Comes a Horseman
Interiors
Mario Puzo's The Godfather: The Complete Novel for Television
September 30, 1955
The Beatles at Shea Stadium
Annie Hall
All the President's Men
The Drowning Pool
The Godfather Part II
The Parallax View
The Paper Chase
Up the Sandbox
Bad Company
The Godfather
'Klute' in New York
Self
Klute
Little Murders
The People Next Door
The Landlord
Loving
End of the Road