
Directing
Born September 19, 1931 in Budapest, Hungary
Márta Mészáros (born 19 September 1931) is a Hungarian screenwriter and film director. The daughter of László Mészáros, a sculptor, Mészáros began her career working in documentary film, having made 25 documentary shorts over the span of ten years. Her full-length directorial debut, Eltavozott nap/The Girl (1968), was the first Hungarian film to have been directed by a woman, and won the Special Prize of the Jury at the Valladolid International Film Festival. Mészáros' work often combines autobiographical details with documentary footage. Prominent themes include characters' denials of their pasts, the consequences of dishonesty, and the problematics of gender. Her films often feature heroines from fragmented families, such as young girls seeking their missing parents (The Girl) or middle-aged women looking to adopt children (Adoption).

Aurora Borealis: Northern Light

No Country for the Poor

My Mother's Letters to Stalin

Hungary 2011

Negative history of Hungarian cinema
Self

Last Report on Anna

Still Alive: A Film About Krzysztof Kieslowski
Self

The Unburied Man

Notes in Lifestyle Margins

The Miraculous Mandarin

Daughters of Fortune

The Seventh Room

Fetus

Edith and Marlene

Diary for My Father and My Mother

Bye Bye, Red Riding Hood

Diary for My Loves

Diary for My Children

The Land of Mirage

A Mother, a Daughter

The Inheritance

Márta Mészáros: Portrait of the Hungarian Filmmaker
Self

On the Move

Just Like at Home

The Two of Them

Nine Months

Adoption

Les Rendez-vous du dimanche
Self

At the End of September

Riddance

At the Lőrinc Spinnery

Don’t Cry, Pretty Girls!

Binding Sentiments

The Girl

In Memoriam László Mészáros

Blow-Ball

Care and Affection

Heartbeat

Salesmanship

Tomorrow's Shift

Women of Today

Let All Children Smile

Everyday Stories