
Directing
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.

Fictional Art Film
Director

1967

Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)

Narcolepsy

Alice Neel Paints Margaret

The Feature

Birth of a Nation
Self

Polaroid Cocaine

Voyage to the Center of the Phone Lines

Roman Variations

Magnetic Notes, 1986-1987

Brooding Angels

Coupla White Faggots Sitting Around Talking

Talking Head

Jesus

My Love

Made for Denise

Chelsea Girls with Andy Warhol

The Valerie Solanas Incident

Langlois
Self

Cleopatra

The Stone Age

Fun and Games for Everyone

Keeping Busy

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