
Directing
Born January 6, 1927 in New York, New York
American experimental filmmaker Stan Vanderbeek began his career in the 1950’s after having studied art and architecture in New York and North Carolina. His earliest period (1955-1965) is marked by his animated painting and collage films which the artist and critic Daryl Chin regarded as having an “enormous vitality, bounding inventiveness and incendiary wit which was shared by such other collagists as Robert Breer, Bruce Conner, Dick Preston.” Films such as Science Friction (1959, 10’), Breathdeath (1963, 15’), A la Mode (1959, 7’) and Achoo Mr. Kerrooschev (1960, 2’) are from this period.

Visual Velocity: The Work of Stan VanDerBeek

Home Movies 1971-81

Reeling in TV Time

Micro Cosmos 1-4

Sonia and Stan Paint a Portrait of Ronnie

Self-Poured Traits

Face Concert

After Laughter

Mirrored Reason

Euclidean Illusions

Color Fields Left

Vanishing Point Left

Strobe Ode

Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”

Symmetricks

Reality's Invisible
Self

Who Ho Rays No. 1

The Computer Generation

Moirage

Filmmakers
Himself

Oh

Ad Infinitum

Poem Field No. 5: Free Fall

Superimposition

Film Form No. 1

Fuses

Poem Field No. 1

Poem Field Series

Poem Field No. 7

Image After Image

For Life, Against the War

Expo Faces

Poem Field No. 3

Spherical Space No. 1

Movie-Drome

See Saw Seams

The Human Face Is a Monument

Facescapes

A Dam Rib Bed

The Birth of the American Flag

Fluids

Site

Newsreel of Dreams 1 & 2

Phenomenon No. 1

Breathdeath

Skullduggery

Snapshots of the City

Black and White, Day and Night

The Smiling Workman

Pittsburgh

Astral Man

Dance of the Looney Spoons

Street Meat

Wheeeeels No. 2

What, Who, How

Mankinda