
Directing
Born April 6, 1888 in Berlin, Germany
Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutscher Herbstsalon" gallery "Der Strum", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin. His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement. Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl.

Free Radicals: A History of Experimental Film
Himself (archive footage)

Hans Richter Early Works

He Stands in a Desert Counting the Seconds of His Life
Self (archive footage)

The Challenge... A Tribute to Modern Art
Self

Dada

Germany Dada
Himself

Diaries, Notes, and Sketches
Self

From the Circus to the Moon

Dadascope

Passionate Pastime

8 x 8: A Chess-Sonata in 8 Movements

Dreams That Money Can Buy

The Birth of Color

The New Apartment (Richter Studio Version)

The New Apartment

Two Pence Magic

Everything Turns, Everything Revolves

Every Day

Race Symphony

Ghosts Before Breakfast

Film Study

Rhythm 21